F kk2 7958

/ THE HIGHWAY

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Large-format photo series "Ansel" 2019

Author Kaupo Kikkas

Technical information:
Monochromatic pigment print
Dimensons: 100 cm x 80 cm x 2,5 cm
Print run: 9+1AP  
Paper: Canson Infinity Rag Photographique
Technology: Epson Monochrome Pigment Inkjet Print
Finishing: Mounted on Dibond (aluminum composite board)
Certificate: DigiGraphie by EPSON
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25 f kk 08711 1500x1000 1
ICARUS
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F kk2 8550 uus
/ LAST PROMETEUS
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F kk2 7958
/ THE HIGHWAY
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007 f kk2 2723 2
7000 YEARS OF SOLITUDE
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026 f kk2 4709
ALLIKAD KUUVALGEL
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018 f kk2 6488
CANYONS
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003 f kk2 9892 1
CASTLES
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11 f kk208277 no sharp  1000x1500 v3
CRAB APPLE TREE
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004 f kk 07464
DE-NA-ZIN
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28 f kk2 0497
EL CAPITAN
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02 f 2021 kk207772 600x900 v3
FRATRES 2020
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009 f dsc09812 3
FULL-MOON NIGHT
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1+ dsc03104 2 aug 2021 600x900 v3
HOME
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014 f kkk 0231 1
HOPPERS MOMENT
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09 f kk 05754 uus 600x800 v2
HUMAN STONE
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01 f dsc08291 600x800
INNER COSMOS
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022 f kk2 6620
LANDSCAPE WITH THE MELTING SNOW
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008 f dsc00478 2
MOONRISE
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04 final 2021 kk201214 1 1000z1500
ODYSSEUS
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011 kk2 7040 3
RECEIVING COMMANDMENTS
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006 f 2019 kk2 0589 uus2 small
REDEMPTION
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030 f kk 08785
STONE FOREST
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017 f kk2 8045
STORM IN THE FUNERAL MOUNTAINS
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021 f kk2 9392
TESTAMENT I
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029 f kk2 3426
TETONS
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024 final2 kkk 6651
THE ANSEL'S VIEW
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013 f kk2 7361
THE BATTLEFIELD
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001 loomine :: the creation f kk2 8443 small
THE CREATION
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031 f kk204180 1 3000
THE ELDERS
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020 f kk2 4826
THE GOODBYE
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015 f kk 07219
THE GRAND JURY
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16 fin kk2 4797
THE GREAT SALT LAKE
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023 f kk2 7156
THE ROAD
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010 f kk204063 4 3000
THE SALT OF THE EARTH
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025 f kk 08296
THE WILDERNESS
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08 final dsc08149 1000x1500 v3
UPPUNUD LAEV
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027 f kk2 3723
WATER MIRROR
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005 f kkk 0505
WAVES
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019 f kkk 6693
WINGS
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Expanses of clouds and fields of snow, wooden crosses, and fir groves. And mountains,
mountains, mountains. The name on the book cover was Ansel Adams; the coated paper
was smooth beneath my fingers. I was fascinated by a sentence I still roughly recall:
Grey tones in photography are like piano keys in music: they are the same to everyone, but only a few
can make them ring.

Our paths kept crossing until I could no longer ignore his call. I stepped in Adams’ footsteps
for the first time in America eight years ago. The trip started out as an homage to the
master and his beloved landscapes. However, longing to go back again and again, searching
for something, not really knowing what it was, and moving forward from where Adams had
left off, my own personal journey began.

What do canyons and the desert do to a person whose eyes are used to the forest? I had
entered the endless cathedral of nature. I was inspired on my journey by Arvo Pärt, a very
important composer to me. How his music might look – in trees, sand, and rock –
crystallized in my mind.
The tightened silence between his sounds also brought silence to my works.

My “Ansel” is the 500 million-year-old landscape. It was here before the arrival of man. It
will remain after the last of us is gone.


/ full text